Beyond tone and playability, visual craftsmanship adds artistry to guitar making. Each of the following elements contributes to the guitar’s individuality, blending aesthetics with craftsmanship.

• Purfling – Thin ornamental strips inlaid around the body edges, reinforcing structure while adding visual detail.  [Individual designs are picked to complement the chosen body material].
• MOP (Mother-of-Pearl) & Abalone – Shell-based materials used for inlays and rosettes, offering iridescent beauty and refined elegance.
• Inlays – Decorative patterns or markers embedded into the fretboard, headstock, or body using materials like MOP, abalone, or exotic woods.
• Rosettes – Intricate circular designs around the sound hole, often made of wood, abalone, or mother-of-pearl (MOP), serving both aesthetic and protective purposes.  [I use a bespoke rosette, matching the body material, with abalone inlay inset in current models].
• Edge Banding – A layered binding along the body contours, creating contrast and reinforcing durability.  [My material of choice: Curly maple]
• Book Matching – A technique where two mirrored wood pieces are joined to create symmetrical grain patterns.  [I use this for backs and soundboards].
• Grain Figuring – Unique natural wood variations, such as flame, quilted, or burl figuring, adding visual depth and character.  This feature differs considerably between species.